This is a special Why Theory episode that was recorded live at the Impakt Festival that took place in Utrecht, Netherlands. Ryan and Todd discuss the theme of the festival--"the curse of smooth operations"--in terms of our relationship to technology. They question how technology provides enjoyment for us. 

The introduction ends at 4:53, and the question and answer period starts at 57:48.

Technology

Why Theory brings continental philosophy and psychoanalytic theory together to examine cultural phenomena.

TV & Film

Ryan and Todd theorize the modernist novel as a specific literary form, defined not by its time period but by its structural exigencies. They relate this form to the importance of the ending that function as a cut in the narrative movement rather than as a summation of all that has happened, which contrasts it with previous iterations of the novel.

Modernist Novel

Ryan and Todd explore the problem of the ending, focusing on when and why the ending becomes important in film and television. They discuss the relationship between the ending of life and the ending of a work of art, especially in terms of psychoanalytic thinking.

Endings

Ryan and Todd analyze Slavoj Zizek's contribution in what may be his magnum opus--The Parallax View. They discuss how he builds on the concept of parallax as originally articulated by Kojin Karatani and its implication for Zizek's understanding of politics.

Parallax View

Ryan and Todd unpack Jacques Lacan's most well-known seminar--Seminar XI: The Four Fundamental Concepts of Psychoanalysis. In doing so, they focus on Lacan's own exclusion as a starting point and then delve into two concepts that Lacan does not list among the fundamental ones--subjectivity and the objet a.

Seminar 11

Ryan and Todd analyze the complexity of Jacques Lacan's Seminar VII: The Ethics of Psychoanalysis. They discuss the various notions that appear there--from das Ding to sublimation to death drive to the ethics of desire.

Technology

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