Valerie leads the team into the dystopian future of 2019 to examine the forces of antagonism in Ridley Scott’s 1982 science fiction noir classic, Blade Runner. Loosely adapted from Philip K. Dick’s 1968 novel Do Androids Dream of Electric Sheep?, the screenplay was written by Hampton Fancher and David Peoples.

Thriller - Blade Runner

This is a show dedicated to helping you become a better writer using the Story Grid method, developed by Shawn Coyne. Each week this season, we analyze a scene or short story to get to the bottom of how to write scenes because to write a story that works, you must be able to write scenes that work.

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Get a bird’s-eye view of A Wizard of Earthsea while Leslie and Valerie offer a macro analysis of this fantasy origin story using Story Grid’s Editor’s Six Core Question. The 1968 story was written by Ursula K. Le Guin.

A Wizard of Earthsea - Global Story

This season on the Story Grid Writers’ Room podcast, Leslie and Valerie are doing a full Story Grid macro analysis of A Wizard of Earthsea by Ursula K. Le Guin. We'll review the Editor’s Six Core Questions and look at each of the acts in detail.

Season Three Preview

Stay tuned to discover the final takeaways from Valerie and Leslie’s deep study of Gillian Flynn’s 2012 novel, Gone Girl. Find out what they’ve learned by applying Story Grid’s Editor’s Six Core Questions and breaking down each quadrant of this compelling Psychological Thriller.

Gone Girl - Key Takeaways

Wonder how to deliver a powerful and satisfying finish to your story? On the Story Grid Writer’s Room podcast this week, Valerie and Leslie analyze the ending payoff of Gillian Flynn’s Gone Girl to unpack what makes this story work so well.

Gone Girl - Ending Payoff

Feeling stuck in the middle of your story? On the Story Grid Writer’s Room podcast this week, Valerie and Leslie analyze the middle build 2 quadrant of Gillian Flynn’s Gone Girl to unpack what makes this story work so well.

Gone Girl - Middle Build Two

Story Grid Writers' Room

Thriller - Blade Runner

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